and then there was light book french blind

There’s a landscape by Jeffrey Conley (“I look at this image and am in awe of how large nature is and how small we are in comparison and importance,” writes Fetterman), a portrait of the designer Yves Saint-Laurent by Marc Riboud (“I consider this such a positive image of a new beginning, re-invention and hope for the future”), and a picture of the Chrysler Building by Charles Harbutt (“This image is a spectacular reflection of urban life in the same vein as a great Edward Hopper painting”).

Each image is presented with a short paragraph by Fetterman recounting a personal anecdote, a historical analysis of the photograph, or simply what struck him about that picture in particular. In The Power of Photography, Fetterman compiled 120 photographs from masters and newcomers alike, showcasing the breadth of the medium.

Lisa Law, Bob Dylan, The Castle Solarium, Los Angeles, California, 1966 / page 34 © Lisa Law, courtesy Peter Fetterman Galleryįueled by the positive reception, and a yearning to create something during a period of stasis, Fetterman turned the digital series into a book.

And then there was light book french blind